Internet Accuracy Project

Table of Contents
Place Name Index
Biographical Index
Reference Book Errors
Commonly Confused Words
Spell Checker Fun
Witty Acronyms
Free eBooks (A - D)
Free eBooks (E - Hd)
Free eBooks (He - Hz)
Free eBooks (I - L)
Free eBooks (M - P)
Free eBooks (Q - R)
Free eBooks (S - V)
Free eBooks (W - Z)
Short Robert Browning Poems
James Whitcomb Riley Poems
Christmas Poems by Rossetti
William Cullen Bryant Poems
James Russell Lowell Poems
Elizabeth Barrett Browning
Poems by Rudyard Kipling
Poems by Sir Walter Scott
Short Wordsworth Poems
Christina Rossetti Poetry
African-American Poetry
Short Poems by Holmes
Easter Poems and Prose
Edgar Allan Poe Poems
Short Whitman Poems
Short Poems by Keats
Milton's Short Poems
Short Whittier Poetry
Christmas Poems
Short Poems
Pigs is Pigs
Puss in Boots
To Build a Fire
The Untold Lie
Witches' Loaves
The Last Lesson
The Boarded Window
A Horseman in the Sky
A Retrieved Reformation
Weights and Measurements
Automotive Town Names
Halloween Town Names
Valentine's Town Names
Christmas' Town Names
Unusual Town Names
U.S. Mail Holidays
U.S. Postage Rates
Wind Chill Charts
Heat Index Charts
Roman Numerals
U.S. Time Zones
U.S. Presidents
World Capitals
U.S. Capitals
2012 Calendar
2013 Calendar
Perpetual Calendar
Daylight Saving Time
Frequently Asked Questions
Contribute Used Books
Literary Source Info
Recent Updates
Link to Us
Contact Us
A Letter to R. A. M. Stevenson from Robert Louis Stevenson

The following is the complete text of Robert Louis Stevenson's letter to R.A.M. Stevenson (September 1894). Our presentation of this letter comes from The Letters of Robert Louis Stevenson to his family and friends: Volume II (1909). The various books, short stories and poems we offer are presented free of charge with absolutely no advertising as a public service from Internet Accuracy Project.

Visit these other works by Robert Louis Stevenson
"An Apology for Idlers"
"The House of Eld"
Letter to J. M. Barrie (Summer 1894)
Letter to Adelaide Boodle (1889)
Letter to E. L. Burlingame (July 13, 1890)
Letter to Edmund Gosse (January 1886)
Letter to Edmund Gosse (April 1891)
Letter to Edmund Gosse (June 1893)
Letter to Edmund Gosse (December 1894)
Letter to Henry James (June 1893)
Letter to Henry James (July 1894)

Letter to R. A. M. Stevenson (Feb. 1889)
Letter to Mrs. R. L. Stevenson (May 1889)
A Lodging for the Night
"The Persons of the Tale"
"The Poor Thing"
"Something In It"
"The Song of the Morrow"
"The Touchstone"
"The Yellow Paint"

To see all available titles by other authors, drop by our index of free books alphabetized by author or arranged alphabetically by title.

Potential uses for the free books, stories and poetry we offer
* Rediscovering an old favorite book, short story or poem.
* Bibliophiles expanding their collection of public domain ebooks at no cost.
* Teachers trying to locate a free online copy of a letter, short story or poem for use in the classroom.

NOTE: We try to present these classic literary works as they originally appeared in print. As such, they sometimes contain adult themes, offensive language, typographical errors, and often utilize unconventional, older, obsolete or intentionally incorrect spelling and/or punctuation conventions.

Robert Louis Stevenson's Letter to R. A. M. Stevenson (September 1894)


VAILIMA, September 1894

[Stevenson had received from his cousin a letter announcing, among other things, the birth of a son, and rambling suggestively, as may be guessed from the following reply, over many disconnected themes: the ethnology of Scotland, paternity and heredity, civilisation versus primitive customs and instincts, the story of their own descent, the method of writing in collaboration, education, sex and Christianity, anarchism, etc.; all which matters are here discursively touched on. "Old Skene" is, of course, the great Scottish antiquarian and historian, William Forbes Skene, in whose firm (Edwards & Skene, W.S.) Stevenson had for a time served, irregularly enough, as an unpaid clerk.]

DEAR BOB, -- You are in error about the Picts. They were a Gaelic race, spoke a Celtic tongue, and we have no evidence that I know of that they were blacker than other Celts. The Balfours, I take it, were plainly Celts; their name shows it -- the "cold croft," it means; so does their country. Where the black Scotch come from nobody knows; but I recognise with you the fact that the whole of Britain is rapidly and progressively becoming more pigmented; already in one man's life I can decidedly trace a difference in the children about a school door. But colour is not an essential part of a man or a race. Take my Polynesians, an Asiatic people probably from the neighbourhood of the Persian gulf. They range through any amount of shades, from the burnt hue of the Low Archipelago islander, which seems half negro, to the "bleached" pretty women of the Marquesas (close by on the map), who come out for a festival no darker than an Italian; their colour seems to vary directly with the degree of exposure to the sun. And, as with negroes, the babes are born white; only it should seem a little sack of pigment at the lower part of the spine, which presently spreads over the whole field. Very puzzling. But to return. The Picts furnish to-day perhaps a third of the population of Scotland, say another third for Scots and Britons, and the third for Norse and Angles is a bad third. Edinburgh was a Pictish place. But the fact is, we don't know their frontiers. Tell some of your journalist friends with a good style to popularise old Skene; or say your prayers, and read him for yourself; he was a Great Historian, and I was his blessed clerk, and did not know it; and you will not be in a state of grace about the Picts till you have studied him. J. Horne Stevenson (do you know him?) is working this up with me, and the fact is -- it's not interesting to the public -- but it's interesting, and very interesting, in itself, and just now very embarrassing -- this rural parish supplied Glasgow with such a quantity of Stevensons in the beginning of last century! There is just a link wanting; and we might be able to go back to the eleventh century, always undistinguished, but clearly traceable. When I say just a link, I guess I may be taken to mean a dozen. What a singular thing is this undistinguished perpetuation of a family throughout the centuries, and the sudden bursting forth of character and capacity that began with our grandfather! But as I go on in life, day by day, I become more of a bewildered child; I cannot get used to this world, to procreation, to heredity, to sight, to hearing; the commonest things are a burthen. The prim obliterated polite face of life, and the broad, bawdy, and orgiastic -- or maenadic -- foundations, form a spectacle to which no habit reconciles me; and "I could wish my days to be bound each to each" by the same open-mouthed wonder. They are anyway, and whether I wish it or not.

I remember very well your attitude to life, this conventional surface of it. You had none of that curiosity for the social stage directions, the trivial ficelles of the business; it is simian, but that is how the wild youth of man is captured; you wouldn't imitate, hence you kept free -- a wild dog, outside the kennel -- and came dam' near starving for your pains. The key to the business is of course the belly; difficult as it is to keep that in view in the zone of three miraculous meals a day in which we were brought up. Civilisation has become reflex with us; you might think that hunger was the name of the best sauce; but hunger to the cold solitary under a bush of a rainy night is the name of something quite different. I defend civilisation for the thing it is, for the thing it has come to be, the standpoint of a real old Tory. My ideal would be the Female Clan. But how can you turn these crowding dumb multitudes back? They don't do anything because; they do things, write able articles, stitch shoes, dig, from the purely simian impulse. Go and reason with monkeys!

No, I am right about Jean Lillie. Jean Lillie, our double great-grandmother, the daughter of David Lillie, sometime Deacon of the Wrights, married, first, Alan Stevenson, who died May 26, 1774, "at Santt Kittes of a fiver," by whom she had Robert Stevenson, born 8th June 1772; and, second, in May or June 1787, Thomas Smith, a widower, and already the father of our grandmother. This improbable double connection always tends to confuse a student of the family, Thomas Smith being doubly our great-grandfather.

I looked on the perpetuation of our honoured name with veneration. My mother collared one of the photos, of course; the other is stuck up on my wall as the chief of our sept. Do you know any of the Gaelic-Celtic sharps? you might ask what the name means. It puzzles me. I find a M'Stein and a MacStephane; and our own great-grandfather always called himself Steenson, though he wrote it Stevenson. There are at least three places called Stevenson -- Stevenson in Cunningham, Stevenson in Peebles, and Stevenson in Haddington. And it was not the Celtic trick, I understand, to call places after people. I am going to write to Sir Herbert Maxwell about the name, but you might find some one.

Get the Anglo-Saxon heresy out of your head; they superimposed their language, they scarce modified the race; only in Berwickshire and Roxburgh have they very largely affected the place names. The Scandinavians did much more to Scotland than the Angles. The Saxons didn't come.

Enough of this sham antiquarianism. Yes, it is in the matter of the book, of course, that collaboration shows; as for the manner, it is superficially all mine, in the sense that the last copy is all in my hand. Lloyd did not even put pen to paper in the Paris scenes or the Barbizon scene; it was no good; he wrote and often rewrote all the rest; I had the best service from him on the character of Nares. You see, we had been just meeting the man, and his memory was full of the man's words and ways. And Lloyd is an impressionist, pure and simple. The great difficulty of collaboration is that you can't explain what you mean. I know what kind of effect I mean a character to give -- what kind of tache he is to make; but how am I to tell my collaborator in words? Hence it was necessary to say, "Make him So-and-so"; and this was all right for Nares and Pinkerton and Loudon Dodd, whom we both knew, but for Bellairs, for instance -- a man with whom I passed ten minutes fifteen years ago -- what was I to say? and what could Lloyd do? I, as a personal artist, can begin a character with only a haze in my head, but how if I have to translate the haze into words before I begin? In our manner of collaboration (which I think the only possible -- I mean that of one person being responsible, and giving the coup de pouce to every part of the work) I was spared the obviously hopeless business of trying to explain to my collaborator what style I wished a passage to be treated in. These are the times that illustrate to a man the inadequacy of spoken language. Now -- to be just to written language -- I can (or could) find a language for my every mood, but how could I tell any one beforehand what this effect was to be, which it would take every art that I possessed, and hours and hours of deliberate labour and selection and rejection, to produce? These are the impossibilities of collaboration. Its immediate advantage is to focus two minds together on the stuff, and to produce in consequence an extraordinarily greater richness of purview, consideration, and invention. The hardest chapter of all was "Cross Questions and Crooked Answers." You would not believe what that cost us before it assumed the least unity and colour. Lloyd wrote it at least thrice, and I at least five times -- this is from memory. And was that last chapter worth the trouble it cost? Alas, that I should ask the question! Two classes of men -- the artist and the educationalist -- are sworn, on soul and conscience, not to ask it. You get an ordinary, grinning, red-headed boy, and you have to educate him. Faith supports you; you give your valuable hours, the boy does not seem to profit, but that way your duty lies, for which you are paid, and you must persevere. Education has always seemed to me one of the few possible and dignified ways of life. A sailor, a shepherd, a schoolmaster -- to a less degree, a soldier -- and (I don't know why, upon my soul, except as a sort of schoolmaster's unofficial assistant, and a kind of acrobat in tights) an artist, almost exhaust the category.

If I had to begin again -- I know not -- si jeunesse savait, si vieillesse pouvait . . . I know not at all -- I believe I should try to honour Sex more religiously. The worst of our education is that Christianity does not recognise and hallow Sex. It looks askance at it, over its shoulder, oppressed as it is by reminiscences of hermits and Asiatic self-tortures. It is a terrible hiatus in our modern religions that they cannot see and make venerable that which they ought to see first and hallow most. Well, it is so; I cannot be wiser than my generation.

But no doubt there is something great in the half-success that has attended the effort of turning into an emotional religion, Bald Conduct, without any appeal, or almost none, to the figurative, mysterious, and constitutive facts of life. Not that conduct is not constitutive, but dear! it's dreary! On the whole, conduct is better dealt with on the cast-iron "gentleman" and duty formula, with as little fervour and poetry as possible; stoical and short.

. . . There is a new something or other in the wind, which exercises me hugely: anarchy, -- I mean, anarchism. People who (for pity's sake) commit dastardly murders very basely, die like saints, and leave beautiful letters behind 'em (did you see Vaillant to his daughter? it was the New Testament over again); people whose conduct is inexplicable to me, and yet their spiritual life higher than that of most. This is just what the early Christians must have seemed to the Romans. Is this, then, a new drive among the monkeys? Mind you, Bob, if they go on being martyred a few years more, the gross, dull, not unkindly bourgeois may get tired or ashamed or afraid of going on martyring; and the anarchists come out at the top just like the early Christians. That is, of course, they will step into power as a personnel, but God knows what they may believe when they come to do so; it can't be stranger or more improbable than what Christianity had come to be by the same time.

Your letter was easily read, the pagination presented no difficulty, and I read it with much edification and gusto. To look back, and to stereotype one bygone humour -- what a hopeless thing! The mind runs ever in a thousand eddies like a river between cliffs. You (the ego) are always spinning round in it, east, west, north, and south. You are twenty years old, and forty, and five, and the next moment you are freezing at an imaginary eighty; you are never the plain forty-four that you should be by dates. (The most philosophical language is the Gaelic, which has no present tense -- and the most useless.) How, then, to choose some former age, and stick there?

R. L. S.

If you find the above selection from The Letters of Robert Louis Stevenson useful, please link to this page from your webpage, blog or website. You can also help support Internet Accuracy Project's work by contributing surplus office supplies, or used books. Alternatively, consider recommending us to your friends and colleagues. Thank you in advance!

Website Copyright © 2005-2012 INTERNET ACCURACY PROJECT. BY ACCESSING THIS SITE YOU ARE STATING THAT YOU AGREE TO BE BOUND BY OUR TERMS AND CONDITIONS regardless of whether you reside in the United States of America or not. Our Privacy Policy. This page was last updated January 1, 2012.